After nine years in the role, Ben Kellett is stepping down as WT’s Technical Director. He has made a sizeable and much appreciated contribution to life at WT, and the board wish to express their thanks to him for his tireless work over that time. That means that we now have a vacancy for the role, and we are keen to find a willing volunteer to get involved with all things tech at WT. Ben is keen to stress that he is fully committed to helping whoever steps up to ‘bed in’ over the course of the next year. As for what’s involved, the Technical Director’s main responsibilities include

WT is committed to being a diverse and open organisation. Auditions are open to anyone, regardless of background or experience, and we particularly welcome those who have been traditionally under-represented in theatre. Please note that these auditions have now closed. Synopsis Rules For Living by Sam Holcroft is a dark Christmas comedy running in real time on Christmas morning from 11am until the serving of Christmas lunch at 1pm. The family celebrations are going ahead despite Francis (the father) having had a stroke. The mother, the neurotic Edith, is determined that everything will go on a

WT is committed to being a diverse and open organisation. Auditions are open to anyone, regardless of background or experience, and we particularly welcome those who have been traditionally under-represented in theatre. Please note that these auditions have now closed. Synopsis Christopher Hampton’s awarding winning play Les Liaisons Dangereuses was adapted from the novel of the same title by Pierre Chanderlos de Laclos (published in 1782), and was first performed at the RSC in 1984. This is a deliciously clever and witty script, with 10 wonderful roles for 6 women and 4 men. The play te

WT are thrilled to announce the launch of our dedicated group for writing for performance led by Hedda Bird, whose recent writing credits include a celebrated new adaptation of Nicholas Nickleby produced at Oxford Playhouse. The group will be open to all those who are interested in writing for theatre, and will meet in-between productions at WT. Write@WT will give those involved a chance to share work and develop ideas, with an aim to produce regular rehearsed readings. The first meeting will be on Wednesday 18th May at Wokingham Theatre from 7:45pm. If you’re interested in coming or wo

WT is committed to being a diverse and open organisation. Auditions are open to anyone, regardless of background or experience, and we particularly welcome those who have been traditionally under-represented in theatre. Please note that these auditions have now closed. Synopsis Jefferson Steel is an arrogant, fading, Hollywood action hero with a recent run of flops to his name. No longer as young or attractive as he thinks he is, he desperately needs a boost to his career. His agent receives an appeal from a theatre company in England who want to invite a famous name to play King Lear in

A few weeks ago, WT lost one of its most active, talented, and well-respected members, Richard Coleman. Any of our patrons that have seen a show at WT over the last 10-20 years will have seen his work on stage, with his talents as a scenic painter most often being deployed to design and paint all the floors of our sets. He also regularly helped design and coordinate sets, with recent highlights including the intricate and celebrated set for Hobson’s Choice and earlier in the season, The Government Inspector. Richard’s passing will have such an impact on the whole WT team, but none more so than

Having worked with Wokingham Theatre’s current Artistic Director David Stacey and Claire Lawrence on A Christmas Carol as Assistant Director in 2019, I jumped at the chance to work with David again to bring the tragi-comic mystery of The Father to life this spring. The Father, or Le Père, in the original French version, is one of a trilogy of plays created by the extraordinary mind of playwright Florian Zeller. You may well have seen the recent screen version starring two powerhouses of British acting talent, Olivia Coleman and Sir Anthony Hopkins. Sir Anthony went on to win a highly des

WT is committed to being a diverse and open organisation. Auditions are open to anyone, regardless of background or experience, and we particularly welcome those who have been traditionally under-represented in theatre. Please note that these auditions have now closed. Synopsis Welcome to Grangewood School for Girls! One of the most famous educational establishments in the country. It’s 1927 and our heroine, Daisy Meredith is the first scholarship girl from an elementary school, to be allowed access to these hallowed halls. Enthusiastic and plucky to the last, Daisy finds herself struggling ag

We’re thrilled to announce details of our upcoming 2022/2023 Season, coinciding with WT’s 75th Anniversary! Incoming Artistic Director Alan Long writes: Pulling together a season is always a challenge and a great pleasure, and my thanks go to my script-reading team Janice Everett, Jerry Radburn, Dave Wood, and Clare Bray, for their continued support over the past few months. My aim for this season has been to put together a collection of shows that focusses on encouraging audiences back into the theatre as we continue our post-COVID recovery. As such, I believe we’ve put toge

No production would go ahead if it were not for the team of people backstage.  We talked to a few of that team about the joys and challenges of staging a youth theatre production. How many costumes? Sue Daykin Indigo: “Well there are 19 actors” Sue: “– ok, so manageable.” Indigo: “Yes, but they each play multiple roles and some of those roles have more than one costume.” Sue: “So how many costumes?” Indigo: “…..um, 56.” That was better news than the 96 required for Alice in Wonderland, so off I went. Relatively straightforward, as no animals unlike Alice in Wonderland and The Lion, The Wi